FILM PRODUCTION EQUIPMENT
Video Cameras and Specialized Filmmaking Gear
All our cameras, lights, sound and specialized filmmaking gear is fully insured and our experienced cameramen, lighting and grip technicians are fully trained to use each piece of equipment to its full potential.
Whether you need HD, 4K, 6K, or 8k Cameras, like Red, ARRI and Sony, a professional Camera Drone, Action Cameras such as a GoPro, or specialized Documentary Equipment such as Pelican bags and cases, data wrangling equipment, walkie talkies, sleeves for hot and cold climates, and battery packs, we’ve got you covered.
We work with qualified engineers, boom operators and sound recordists both in the studio and out in the field to provide top quality 5.1 and 7.1 surround sound that will support and enhance your video production.
We can provide industry standard sound recording equipment for 24 bit/192khz audio as well as wireless timecode sync and monitoring. We own and operate global industry standard including Lectrosonics, Senheiser, Comtek and Sony microphones as well as Sound Devices 664 field production mixers with integrated recorders, Taskam Linear PCM recorders and Edirol R4 Portable field recorders. We can also provide Boompoles, customized soundcarts and much more.
Whether you require a studio session or a crystal clear recording in a remote location, we have the equipment and the technical know-how to capture exactly what you need.
LIGHTING & GRIP
As a Director of Photography, I am extremely dedicated to capturing the ideal light to create the film’s visual aesthetic. Focusing on the light gives us infinite possibilities, but once the light penetrates the lens, our possibilities become limited by the camera’s ability to interpret and record the light.
Cinematographers are often compared to fine artists because we create our scenes by painting with light and shadows. To do so , we need an arsenal of tools such as lens kits, lenses, lights, reflectors, mirrors filters, gels and diffusers in order to set the depth, mood, tone and emotion of each scene. It’s also extremely important to understand how the light is affected by each type of material we use.
Trust us, the last thing you want to hear is : Fix it in Post!
- 8X8 seamless unbleach muslim
- 8X8 silver lame
- 8X8 hi lite seamless
- 8X8 Qtr grid silent
- 8X8 qtr grid neutral gray
- 8X8 black wind solid
- 8X8 solid
- 8X8 charcoal vintage
- 8X8 neautral gray grid
- 12X12 neutral gray grid
- 12X12 charcoal vintage grid
- 12X12 solid black
- 20X20 solid black
- 8X12 qtr grid neutral gray
- 6X6 8X8 12X12 green screen
- and more
- Standard 4X5,6 Camera Filters
- 0.3 0.6 0.9 1.2 1.5 1.8 ND Filter
- SoftGrad ND Filters
- InfraRed Filters
- Several calibers of Blackpro Mist Filters
- Polarizing Filters
- Joker Bug 800
- Kino Flow
- HMI 1200 Arri
- HMI 1800 Arri
- LED Panel Cineo Lighting Maverick and HS
- LED strip, control by DMX console
- ARRI SkyPanel LED Light
- Tungsten lights
- Chimera Lights
- Lantern or China Balls
Matthews Mirrors and Reflectors
- Baby Stands
- Combo Stands
- Apple Boxes
- Metal and Matthellini Clamps
- Hundreds of feet of Joy Cables
- Distribution Boxes
- Thousands of feet of Extension Cables.
Unit equipment you need .
Wardrobe, Hair and Make-up Department
We work with some of the best makeup and costume artists in the industry and we have all the Hair, Makeup, Wardrobe equipment you need .